Multi-artist?

While my main focus has been on painting with acrylics lately, I haven’t forgot my other creative interests. Painting digitally is seen in some posts, like the previous one about The Red Queen, I’ve shown my childhood drawings of dogs, but of course, I’ve mentioned my interest in trying out sculpting, I’m going to do some resin art, get back into 3D-modelling, and well – I like many creative things.

Multi-artist in the studio
Multi-artist in the studio

Now, while I’m not active in doing all this all the time, and I certainly don’t have a large studio, I can dream, can’t I? And I can make a song about it: I’m an Artist (played on Suno)

And you might want to read the lyrics, here and now:

I’m an Artist

[Verse 1]

I paint with colors that fill the sky
Acrylic strokes, where dreams can fly
Digital canvases, I explore and play
In every hue, I find my way

[pre-chorus]

From drawing lines to sculpting clay
There’s nothing that keeps the art away
Resin waiting, 3D calls
I’ll craft a world with no limits, no walls

[chorus]

I’m an artist, my hands won’t rest
From canvas to screen, I give my best
In every medium, I come alive
My creativity’s where I thrive
I shape the world in ways I dream
From paint to clay, it’s all supreme

[verse 2]

Watercolor whispers, soft and light
Though I touched it briefly, it felt just right
Sculpting waits, resin calls my name
Every craft’s a spark, every spark a flame

[pre-chorus]

The 3D world, I’ll dive back in
Shapes and textures, let’s begin
And writing too, it flows like art
Each word a sculpture of my heart

[chorus]

I’m an artist, my hands won’t rest
From canvas to screen, I give my best
In every medium, I come alive
My creativity’s where I thrive
I shape the world in ways I dream
From paint to clay, it’s all supreme

[bridge]

I’m building visions, layer by layer
Each brushstroke a step, taking me there
No limits, no end to what I can be
In this world of art, I’m forever free

[chorus]

I’m an artist, my hands won’t rest
From canvas to screen, I give my best
In every medium, I come alive
My creativity’s where I thrive
I shape the world in ways I dream
From paint to clay, it’s all supreme

[outro]

With every creation, I grow and find
Art is the rhythm that frees my mind

The Red Queen

Back in June there was another digital drawing challenge. I’ve draw a couple of portraits earlier here and here in this challenge – but this time things changed. We shouldn’t draw a portrait, as such – we should draw a monster. Or a “monster”.

I chose the latter one, and went for “The Red Queen” – human, but maybe not too kind …

As we should post our progress each day, let me show you the same progress drawings here.

I didn’t manage to spend as much time on the challenge this time as last time, but … I made it!

As usual, I see a lot of things I could do better. And that’s good – if I couldn’t see that, I wouldn’t feel any need to get better and practise more, right? It’s the same when I compare myself to artists better than me: I get some goals to stretch after. It’s not like it’s impossible for me to get that good …

So then, that final version of the Red Queen is this:

The final version of the REd Queen, with a background

The Queen herself. Ancient, but youthful!

Deep Dive

Has anyone ever taken a deep dive into your art and your artistic journey?

A man and a woman discussing.

Well, I can’t say I have, but still, I do have a Deep Dive discussion about me and my art. And not by me. And I thought it was so fun to listen to, that I’m sharing it here!

Who are these two? Well – they’re two AI voices used by the Deep Dive function in Google’s NotebookLM. I added the pages which are about my art and artistic endeavours in this blog as sources – and let them have a go at it. Just for fun.

And I had fun! 😉

Little waterfall and water

It’s been some time since I started this painting – and some time since I finished it. I just haven’t managed to update this blog with it. Which, of course, is a shame. So now I’m going to rectify this!

When I was thinking of a painting, I knew that I wanted water and that the rocks on the bottom should be visible. And a somewhat interesting scene. I’m pretty sure there are some very nice pictures around that fulfil this, but I searched for a while to find some – without luck. My own taste probably has to take some of the blame, but still …

In the end, I made use of AI to make some suggestions, which I in turn used for some inspiration. I have no qualms about using AI that way. Sometimes having something to look at for painting is better than painting directly from imagination.

A calming nature scene

As you see from the painting I show above here, I wanted a little waterfall, too. And the nature hat to fit, of course. So, I had all I wanted: Water, a waterfall, and rocks underwater.

Sketching the broad objects went quickly. Some of the details, too. Or the illusion of details. And then it stopped up for various reasons. But in the end I managed to add the rocks under the water, various degrees of details, and … when I asked the art teacher, she said that yes, now it’s finished.

Personally, I wasn’t sure if it was finished, so I waited a long time before I did ask. I wasn’t sure, because there’s always more that can be done, but I’m not going for photorealism, just a simplified painting, so at some point I have to stop.

And this was the point where I stopped! 😀

Wonder Viggo

It is time again. Already, a new sketchbook had to be painted. Or well, technically it was just time for me to choose to paint another sketchbook, as a present to a friend of mine. He has some varied interests – like any healthy man should have – and my motive for his sketchbook was inspired by one of these.

My version of Wonder Woman

Yes, he likes comics and superheroes, and Wonder Woman is a soft spot. (My claim, not his.) I tried to prepare the cover a bit more than usual this time, hoping it wouldn’t be quite as coarse to paint on, and I did manage to get it a bit smoother. Yay for me! Not that it was much easier, especially as painting humans isn’t what I’m most comfortable with, but above you see the result on the front cover.

But I had to do something with the back cover, too, right? A quick little painting? I figured something along the Wonder Woman-logo could be fitting.

Almost Wonder Woman …

To be honest, I didn’t have too much of a plan when I started the back cover, but I thought WV could make a better logo for him than WW, to make it personal. Had I had a plan before I started, I would’ve done it a bit different, had some smoother transitions and areas. But hey – it’s at least handmade. That must count for something …

And most importantly: He appreciated it!

Electric Racing Car

I have painted the covers on some sketchbooks for family members, and last out was for one of my nephews, who has been involved in making an electric racing car. And is involved in making a second one. So – the motive I would choose for his sketchbook should be obvious, right?

Yup. A red racing car. Electric, of course. However, I didn’t paint one that looks like the ones he’s been involved with – I used my artistic freedom!

A red racing car
The front cover

While it’s not “his” car, it’s undoubtedly a racing car, and I had fun coming up with how it should look, which took some time, and then painting it. Still with the “problem” of a coarse surface to paint on, making small details hard to paint. (At least for me, currently.)

But – how can we know that’s an electric car? Luckily I painted the back cover, too. So let’s see how it appears when taken in all at once.

Electric car, powered by an extension cord plugged into a wall socket …
The source of the electric power revealed

Here, my humour should be revealed. The car is of course powered by an extension cord plugged into a wall socket. It limits the distance it can drive, but hey! It’s electric, right?

Towards the Lighthouse

It’s been an exciting start to the painting class this year, and I couldn’t resist the urge to embark on a personal artistic journey during our first session. While our teacher is always a valuable resource for guidance and does suggest themes to paint, I felt compelled to follow my own muse this time around.

My inspiration? A picturesque scene featuring a solitary lighthouse perched at the edge of a series of interconnected islets, linked by a quaint road and bridge. With a photo providing the needed inspiration, I dove into the world of acrylics, eager to bring this vision to life on canvas.

The initial stages of the painting involved blocking in the main colours, defining the vast expanse of the sky, the tranquil waters of the sea, and the main shapes of the islets and bridges. And the lighthouse, of course. However, as any artist knows, the creative process is never without its challenges. Sometimes a little break is needed to see the work in process from a little distance, both physically and time-wise.

Towards the lighthouse

Upon revisiting the painting after a brief hiatus, I realized the importance of refining the composition. The horizon demanded a straighter, more horizontal alignment, while the hues of the sea and the light in the sky needed to be subtly muted to evoke a sense of serene tranquillity. The rough outlines of the islets needed to be better defined, and I got some details in to make it easier to see the real shapes and figure out the placement of the lighthouse and bridge.

Ah, but the true heart of the painting emerged with the depiction of the lighthouse itself. Time was spent meticulously crafting its structure, ensuring that every colour and detail resonated authentically with the scene I envisioned. Or at least, making it look good. While not an exact replica of my reference, I aimed to capture the essence and spirit of this wonderful beacon.

With the lighthouse taking the main stage, attention turned to enhancing the surrounding landscape. Additional details were painstakingly added to the islets, bridges, and roads, imbuing them with a sense of rustic charm and character.

In the end, the road led the eyes from the bridge towards the lighthouse, where it rose towards the sky.

Flowers on splashing background

Today I want to share with you a painting experiment I did recently. I had an idea, and wanted to see if I could manage it: Splashing wet paint on the canvas and letting it run down, before adding a motive on top. OK, it didn’t turn out quite as I imagined, but I did try something new.

You tell me if I should be happy about it.

Flowers
A bouquet of various flowers

The Inspiration

I’ve seen several paintings where some paint is running down the canvas, and at times this makes a wonderful effect. The seed was sown in me, the idea to make a painting myself, using that effect. But I didn’t really have any idea of a motive I would try this with myself, until a digital painting simulating the effects got my mind working. It was a simple painting, with just a few random, loosely painted flowers on a background with some paint splatter, and some watery paint drops running down the digital canvas.

I fell instantly for the image, and wanted to see if I could recreate something similar with real paint.

The Process

To create this painting, I used acrylic paint and a canvas. I started by making a gradient sky as a background. I mixed some water with various colours of paint to make it more fluid, splashed it on the canvas with a brush and let the watery paint drops run their way towards the bottom.

Then I painted the flowers themselves, loose and impulsive, in the mood right there and then.

Above you see the painting how it turned out. Not quite how I imagined it when I started, I admit, but still …

The Conclusion

Even though the painting didn’t turn out exactly as I expected, I’m glad I tried something new and experimented with different techniques. I learned a lot from this experience, and I think it’s important to challenge yourself and step out of your comfort zone sometimes. You never know what you might discover or create.

In hindsight, I should’ve tested and planned a bit more beforehand, and also been prepared for making a bit more mess than I dared to be in the environment where I started painting. And use a brush that could hold more wet paint for the splattering. But it’s all a learning process, and I’m not discouraged. With the right motive, I’ll be trying this again. Maybe even do a “second run” at this one.

What do you think of my painting experiment? Do you like the splashing effect and the flower motive? Have you ever tried something similar with paint? Let me know in the comments below.

Blue Moon: A Painting of Reflections

Have you ever wondered how to paint reflections in water? I have always been fascinated by this topic, and I decided to challenge myself with a project that would capture the beauty and complexity of light and water. In this blog post, I will share with you my process and inspiration for creating “Blue Moon”, a painting of a city skyline at night, with a stunning glow-in-the-dark effect.

The Inspiration

The idea for this painting came to me when I was thinking about what kind of scene would be interesting and challenging to paint with reflections. My thoughts went immediately to a city skyline, with its tall buildings, bright lights, and busy streets. I wanted to create a contrast between the dark and the light, the natural and the artificial, the calm and the chaotic.

I didn’t use any reference photos for this painting, but I looked at various photos for inspiration, and I had a rough idea of what I wanted to paint in my head. I also added elements from my imagination, such as a bridge and a Ferris wheel. I thought these elements would add some interest and variety to the scene, as well as some reflections of their own.

The Process

To start the painting, I jumped in painting right away, without sketching with a pencil first. I painted the background with acrylic paints, using a dark blue for the sky and a lighter blue for the water. I also painted the moon with white paint, leaving some space around it for some light at the rim of otherwise invisible clouds.

Next, I painted the buildings with black paint, using a wide brush to create the shapes. The buildings were too far away to see any details, they were just dark, almost black shapes with lights from windows breaking the monotony. I also painted some red lights on top of two skyscrapers that are connected by a roof, forming a bridge. I thought this would create a focal point and a contrast in the painting.

Then, I painted the Ferris wheel with yellow and red paint, using a small brush to create the lights and spokes. I also painted some yellow streetlights along the water, illuminating the green trees. I wanted to create some warmth and cosiness in the scene, as well as some reflections in the water.

The skyline in daylight

Finally, I added some glow-in-the-dark paint to the painting, using a fine brush. I applied this paint on top of the white moon, creating a halo effect. The glow-in-the-dark paint used on the moon is blue, hence the title of the painting. I also applied it on some of the windows of the buildings, especially those near the water. I also added some dots of glow-in-the-dark paint on the water, creating some sparkles and ripples. I wanted to create some magic and mystery in the scene, as well as some contrast between day and night.

The Result

The painting was finished after several hours of work, and I was very happy with how it turned out. It looked like a painterly and beautiful city skyline at night, with reflections in the water that captured my attention and imagination.

The skyline at night

But the best part was when I turned off the lights and saw how the painting transformed in darkness. The moon glowed brightly in blue, creating a stunning reflection in the water. The windows of the buildings also glowed in different colours, creating some patterns and shapes in the dark. The Ferris wheel also glowed in red, creating a circle of light in the water as well as on land. The painting looked like a different world, full of wonder and mystery.

Free Willy!

Free Willy! That was the comment when I said I wanted to paint an orca. I pondered the iconic movie poster as an inspiration but settled for focusing on the orca. Or an orca, as it’s not exactly “Willy” himself.

This was a continuation of the watery challenge mentioned in an earlier post. Still, instead of staying underwater, I went with a creature that stays primarily submerged in water, breaking the surface to breathe, or to have fun. And as I revealed already in the first paragraph, the creature is an orca.

It’s my largest finished painting so far, 65×90 cm

And I really wanted to challenge myself, by using the largest canvas I have. Well, an orca may not be the most difficult subject to paint being black and white, but then again shadows and highlights are essential not to make it look flat.

Blocking in the colours was quick, but then there were the details. While this isn’t a realistic style painting, adding details to the painting still takes time, at least for me. I’m sure it’ll get easier and faster with experience.

When I look at it now, I see all the things I could do differently or better, but I still got nice responses from people who like it. This just goes to show yet again: There’s no one more critical of my work than myself. Maybe this was what Leonardo da Vinci had in mind when he said “A painting is never finished, only abandoned.”