Blue Moon: A Painting of Reflections

Have you ever wondered how to paint reflections in water? I have always been fascinated by this topic, and I decided to challenge myself with a project that would capture the beauty and complexity of light and water. In this blog post, I will share with you my process and inspiration for creating “Blue Moon”, a painting of a city skyline at night, with a stunning glow-in-the-dark effect.

The Inspiration

The idea for this painting came to me when I was thinking about what kind of scene would be interesting and challenging to paint with reflections. My thoughts went immediately to a city skyline, with its tall buildings, bright lights, and busy streets. I wanted to create a contrast between the dark and the light, the natural and the artificial, the calm and the chaotic.

I didn’t use any reference photos for this painting, but I looked at various photos for inspiration, and I had a rough idea of what I wanted to paint in my head. I also added elements from my imagination, such as a bridge and a Ferris wheel. I thought these elements would add some interest and variety to the scene, as well as some reflections of their own.

The Process

To start the painting, I jumped in painting right away, without sketching with a pencil first. I painted the background with acrylic paints, using a dark blue for the sky and a lighter blue for the water. I also painted the moon with white paint, leaving some space around it for some light at the rim of otherwise invisible clouds.

Next, I painted the buildings with black paint, using a wide brush to create the shapes. The buildings were too far away to see any details, they were just dark, almost black shapes with lights from windows breaking the monotony. I also painted some red lights on top of two skyscrapers that are connected by a roof, forming a bridge. I thought this would create a focal point and a contrast in the painting.

Then, I painted the Ferris wheel with yellow and red paint, using a small brush to create the lights and spokes. I also painted some yellow streetlights along the water, illuminating the green trees. I wanted to create some warmth and cosiness in the scene, as well as some reflections in the water.

The skyline in daylight

Finally, I added some glow-in-the-dark paint to the painting, using a fine brush. I applied this paint on top of the white moon, creating a halo effect. The glow-in-the-dark paint used on the moon is blue, hence the title of the painting. I also applied it on some of the windows of the buildings, especially those near the water. I also added some dots of glow-in-the-dark paint on the water, creating some sparkles and ripples. I wanted to create some magic and mystery in the scene, as well as some contrast between day and night.

The Result

The painting was finished after several hours of work, and I was very happy with how it turned out. It looked like a painterly and beautiful city skyline at night, with reflections in the water that captured my attention and imagination.

The skyline at night

But the best part was when I turned off the lights and saw how the painting transformed in darkness. The moon glowed brightly in blue, creating a stunning reflection in the water. The windows of the buildings also glowed in different colours, creating some patterns and shapes in the dark. The Ferris wheel also glowed in red, creating a circle of light in the water as well as on land. The painting looked like a different world, full of wonder and mystery.

Free Willy!

Free Willy! That was the comment when I said I wanted to paint an orca. I pondered the iconic movie poster as an inspiration but settled for focusing on the orca. Or an orca, as it’s not exactly “Willy” himself.

This was a continuation of the watery challenge mentioned in an earlier post. Still, instead of staying underwater, I went with a creature that stays primarily submerged in water, breaking the surface to breathe, or to have fun. And as I revealed already in the first paragraph, the creature is an orca.

It’s my largest finished painting so far, 65×90 cm

And I really wanted to challenge myself, by using the largest canvas I have. Well, an orca may not be the most difficult subject to paint being black and white, but then again shadows and highlights are essential not to make it look flat.

Blocking in the colours was quick, but then there were the details. While this isn’t a realistic style painting, adding details to the painting still takes time, at least for me. I’m sure it’ll get easier and faster with experience.

When I look at it now, I see all the things I could do differently or better, but I still got nice responses from people who like it. This just goes to show yet again: There’s no one more critical of my work than myself. Maybe this was what Leonardo da Vinci had in mind when he said “A painting is never finished, only abandoned.”

Dionaea

My Instagram account is Dionaea Design. My domain name is dionaea.com, and I use the name in a few other places, too. Why Dionaea? What’s that about that logo I use? It all started when my imagination wanted me to draw a character. It turned out to be a flower; a carnivorous, mobile flower. When? That I can’t say for sure – the earliest documented memory of it, is from the last century, back in 1985.?

The name Dionaea I got from a botanical book, and inspired by the carnivorous Venus Flytrap. Dionaea muscipula in Latin. I liked that first part.?

A sketch of Dionaea, by blue colour pencil
My Dionaea sketch from ’89

I never got so far as to develop a story around Dionaea and make a book out of it (as I was encouraged to do by a famous fantasy artist …). I just have made some drawings here and there. This sketch from ’89 turned up together with my dog drawings, on a flimsy piece of paper.?

It’s been a while since I’ve done anything with my Dionaea character, even though I’ve had ideas of what to do. I probably should try to do a bit more again. Maybe just something as simple as trying to paint it with acrylic paint?

Time will show what I’ll do.