My thoughts and whatever about random topics.
Feeling blue?
Briefly inspired by a colourful image that I don’t remember what it looked like, combined with a comment (before I started painting this) that people don’t have blue skin, I decided I wanted to have some fun when taking on this challenge.
It can certainly be better, but I had fun with it! And I still might change it a bit later.
Any comments?
Painting outside, even if you’re inside?
Why not, if you let your imagination free …
The alternative title for this post could be “The Unfortunate Crow”, for obvious reasons. It’s quite a while since now, that I saw this crow in the snow one winter, trying to eat some snow. Probably the easiest way for it to get something to drink.
A crow isn’t, I must admit, a bird I pay too much attention to normally. This time, tho, I soon discovered the problem it had to cope with: The broken beak. I quickly turned on the camera on the phone and snapped a few pictures, where it stood just a couple of meters away from me. Maybe three.
Also, instead of being a bird I don’t care much about, this one I felt sorry for. How long had she lived without the beak? How did she break it? How long would she live now? I found myself wanting to give her a beak prosthetic, but two things stopped me: First, I would have to catch her (she ignored me when I asked her to come to me) and second, I would have to make her that prosthetic.
I gave up that thought.
Instead, I toyed with the thought of painting her. Now I’ve finally done it.
I’ve never tried to paint anything photorealistic, and all the details in the feathers scared me away from painting this for some years. But while I may enjoy doing some fiddly details, it’s first now that I’ve painted a few years and learned a bit I found this picture again with the intent to paint it. Faking the details.
In the process, I noticed for the first time that the crow isn’t just pure black and grey – there’s also some brown in there. I do notice more details when I study something to paint than I used to. Cool!
So, how should I paint it? Photorealistic is out of the question. The details is way too finicky for my abilities. Maybe one day, if I want to spend ages on one painting, but for now I had to simplify, a lot. Some lines to indicate the direction of the feathers are what I went with.
Currently, I’m very happy with what I’ve managed.
Sometimes I have fun with the Reface app on my phone, and one time I replaced the face in the painting “Girl With a Pearl Earring” with my own. Just for fun. A bit later I figured it could be fun to try painting it, but painting a portrait? That was a scary thought. Could I manage?
But I still started painting it, on a small canvas. Just, I waited with the face; that was the hard part, I figured. I managed to fill in the rough placement of the features in the face before I had to end that painting session. And – I never continued. It stayed unfinished.
Until now.
The last evening of the painting classes, and portraits was a challenge. I figured I could try to finish it.
So I attacked the task with my smallest brushes trying to get the details in place. And to mix sensible colours, of course. Maybe it would’ve been easier with a larger canvas. It would provide a bit more wiggle room to make the placement of details a bit easier, and they wouldn’t be that small …
As it is, I managed to make some things correct, while other things really should be adjusted. If I want to paint portraits, I should practise more. Much more. At least if I want to get the likeness I would like, but I must also admit that I was my own largest critic; the others apparently saw more likeness than me …
That said, I’m not unhappy with it. I do think it looks nice, so I’ve managed that, at least. I do have another portrait I need to finish, too. One day. But it will be done – I’ve got a little push now.
Or at least, in my current style? One of my styles? As I’m still learning different methods all that will develop until I settle on what I feel most comfortable with and prefer. Probably.
I’m still exploring those rough, loose brush strokes. There are not really any details, just big, rough areas in the background, and some vague, flower-like shapes for the poppies. The colour variations give it the 3D look, and some smaller strokes, dots and areas give the impression of more detail than what’s actually there.
Could I’ve done more with this? Absolutely! But – I didn’t want to. Had I done much more, the painting would’ve changed completely, possibly ruined. And, I was happy with the current result, so why would I even try?